
Minnie Evans (1892-1987) a self-educated NC artist recognized internationally for her intriguing art.
Photo by Nina Howell Starr

Artist Minnie Evans, 1969. Notice the tackle box used for her art supplies. Photo: Courtesy of Cape Fear Museum
Propelled by her faith, discipline and dreams, Minnie Evans’ story and artistic journey is a triumph of the human spirit.
The one-hour documentary film Minnie Evans: Draw or Die (2025) explores the inspirational life and artistic mastery of one of the most important African-American artists of the 20th century.
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go to www.MinnieEvansFilm.com
WATCH FILM PREVIEW TRAILER

Minnie Evans began drawing in 1935, compelled by dreams and later a voice that suggested she must “draw or die.”
The desire to fulfill her soul’s purpose given by God is at the center of her visionary work. During her lifetime she drew an estimated 3000 pictures using crayon and other media on found and donated materials. Evans's paintings and drawings are in the collections of prominent art museums, yet she's not widely recognized.
The film lifts the unique voice of self-taught artist Minnie Evans from conversations between Evans and photographer, Nina Howell Starr. Preserved in the Smithsonian Museum of American Art archives, their taped discussions from the '60's-70's reveal a loving friendship and Minnie's resiliency. Grounded in the compositions and forms she produced, the film's visuals will employ archival images, Nina Starr's black and white photography along with the gardens and coastal landscapes that inspired Minnie's work.
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Minnie Evans with Nina Howell Starr / Wilmington, NC, mid 1960's
“This art that I have put out has come from nations I suppose might have been destroyed before the flood...No one know anything about them, but God has given it to me to bring them back into the world." - Minnie Evans
Executive Producers:
Agnes Gund
John Jerit

Executive Producer: Andrea Arria-Devoe
Minnie’s visions specifically speak to my fascination with the supernatural and their recurring motifs connecting God, humans and nature — a message we need to embrace, and quickly, in order to live in synchronicity with the planet.
Andrea Arria-Devoe is a lifestyle writer and an editor. She most recently wrote a column on sustainability for GOOP, where she covered topics ranging from regenerative agriculture to intersectional environmentalism and interviewed influencers and activists in the climate space. She was an Executive Producer on Straws, a short documentary released in 2017 that was catalytic in raising public awareness on the environmental and health hazards linked to the rise of single-use plastics and its relationship to the fossil fuel industry. She is on the Board of Trustees for the Climate Museum in New York City, and serves on the advisory board for Plastic Pollution Coalition, as well as the New Standard Institute, the organization spearheading New York’s Fashion Sustainability and Social Accountability Act. “I joined Linda on Minnie Evans: Draw or Die because STRAWS became an essential vehicle for calling people to action around an issue I cared deeply about. My interest in self-taught artists and their unique reflection on the world drew me to this project. Minnie’s visions specifically speak to my fascination with the supernatural and their recurring motifs connecting God, humans and nature — a message we need to embrace, and quickly, in order to live in synchronicity with the planet.


Donor Support We've Received from Across the USA!
Executive Producer Level: Agnes Gund
Executive Producer Level: Andrea Arria-Devoe, John C. Jerit
Co-Producers: Olympia Stone, Wendy Williams
Contributing Producer: Annie Gray Sprunt
Production possible with support of: The Arts Council of Wilmington & NHC
Additional Funding by; Cucalorus Foundation with the Filmed in NC Fund, Janie & Carter Lambeth, John Clark & Mary Boney Denison, David Dyer, Frank Gordon, Janet Kenworthy, Nathan Kernan, Jennifer Kraner & Tony Chambers, Molly Matlock, Betsy Royal, Martha & Don Shafer, Steve Tretrault, Doug & Liling Warren
Thanks to our Contibutors: Paul & Maureen Baron, Molly Brooks, Jean Capps, Liz Coffey, Beverly Evans, Norris & Louise Evans, Mary & Deanes Gornto, Bonnie Monteleone, Mimi Saffer, Louise & Matt Scharf,
David & Marsha Warren, Heather Wilson
ADDITIONAL
FILM TEAM
INTERVIEWS
WITH
NORRIS EVANS
BEVERLY EVANS
WAYNE EVANS
ANNE BRENNAN
NATHAN KERNAN
WENDY WILLIAMS
DR. ELIZABETH PENTON
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FRED STORY - SCORE & SOUND MIX | BLAIRE JOHNSON - Cinematography | RANDY BENSON - Cinematography | TONY MORIN & HENDY STREET PRODUXIONS - Cinematography | DAHLIA DENNISON- Editing, Cinematography | BRAULIO LINN - Sound Recording | Mark Barroso - Sound Recording | DIT - Nick Torchio
TIA ADKINS - Research & Administrative Assistance | NURI MUHAMMED - PA, 2nd camera
Dr. Theodore “Teddy” Burgh, Terrance “Terry” Thompson aka 2 Nice Guys - music consultation
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MARVA ROBINSON
LUISE ROSS
Smithsonian Museum of American Art:
LESLIE UMBERGER
AMBER KERR
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CHRISTIAN DANIEL
BERTHA BOYKIN TODD
ESTHER ADLER, MoMA
CARA ZIMMERMAN
SHARI CAVIN
TOM PARKER
FRANK MARESCA
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